Sorry for the radio silence over the long weekend. But…isn’t getting away what long weekends are all about?
Lots to talk about, but first I want to talk briefly about this Newbury Comics/WFNX poll to find the top 50 Alternative albums of all time. A noble pursuit, and as someone who loves lists, I couldn’t not take a few moments to participate.
But…well, check out the list they have up there for potential candidates. OK, I recognize that this is, ultimately, just a ploy to get people into record stores to buy CDs; the exercise has more to do with moving old stock and less to do with any quest for accurate musical rankings. Nevertheless, who the hell culled these choices? Forgive me if I’m wrong, but I always thought the alternative genre implied music that was, you know, an alternative to the popular music of 1980s. The definition from the first paragraph of the Wikipedia entry on alt-rock:
The terms alternative rock and alternative music[1] (also simply called alternative) were coined in the 1980s to describe punk rock-inspired bands on independent record labels that didn’t fit into the mainstream genres of the time.[2] As a specific genre of music, alternative rock consists of various subgenres that emerged from the indie music scene starting in the 1980s and became popular or well known by the 1990s, such as indie rock, grunge, gothic rock, and college rock.
That seems like a fair definition – I don’t know how one could argue that, at the very least, alternative rock is music that was somewhat underground in the 80s that became popular and mainstream with the rise of grunge in the early 90s. Given that, I don’t really see room for an 80s Bowie album on the list, let alone a 70s one. As much as I love the Police, how could four of their albums be considered in any way alternative, when they were all smash pop hits out of the gate in the late 70s/early 80s? Same question for any U2 album after The Joshua Tree…even with “alternative” as the new standard for popular, how can All That You Can’t Leave Behind be put on a list like this?
The most egregious example, more egregious than Lenny Kravitz (middle-of-the-road nothing rock by time 5 came out), Keane (derivative twee Britpop couldn’t be alternative in 2003, no matter how much I like it), and Run DMC (rap isn’t alternative, even if guitars are sampled), would have to be…Duran Duran’s Rio. Maybe I’m too young to remember it correctly, but weren’t they derided as empty MTV pop in the 80s? Is there a band that could be more anathema to the punk ethos? Just because time has smiled favorably upon them, and just because you can play “Hungry Like The Wolf” on Leftover Lunch, doesn’t mean the band can be called alternative in any logical or conceivable way.
Dear ‘FNX and Newbury Comics: why don’t you get your genre definitions straight before you start trying to assemble a definitive list of anything? Get that straight, then we can talk. Until then, I’m not voting for nothin’.
(But keep Gabriel’s So on the list. It obviously shouldn’t be on there either, but I’ll take any chance I can get to vote for the man.)